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Article: A Needle Pulling Thread Magazine

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Hello All! A couple of new posts to share with you... back in the fall during my insane exhibition schedule I managed to fit in an interview with a couple of magazines about my work. Four months later, the first one has finally arrived in the mail today! Here is an interview I did with Joe Lewis of Fibre Quarterly, for the textile publication A Needle Pulling Thread. The interview includes some of my work, along with the work of one of my favorite teachers Dorie Millerson, and some artists who have been influential to me.
Also in the magazine are some really cute tutorials on how to knit lacey socks and a really pretty beret! For more information, or to find out where you can buy a copy, check out their website here, and have a peek at the article below!








Article: Fiber Art Now Magazine

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In following up on the last post, I am so thrilled to announce that my work has been included in an article in the Spring 2013 Issue of Fiber Art Now Magazine! I am really excited to have had my work included among the work of a number of paper-based artists that I really admire!!!
Although I am still waiting for my copy to arrive in the mail, I found a preview of the article on the Fiber Art Now website! Here is a link to their subscriptions page, I urge you to subscribe if you like what you see, and contribute to keeping printed matter alive!




Kate Jackson: Silence Doesn't Paint the Depth....

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Silence Doesn't Paint the Depth of Quiet in That Room
an exhibition of fragile embroidery by Kate Jackson

@ Studio Huddle, 97 Niagra St.
April 12 - 28th, 2013

Studio Huddle is pleased to present Kate Jackson's first solo exhibition of embroidered works. Silence Doesn't Paint the Depth of Quiet in That Room, showcases new works of fragile embroidery.
Jackson has been researching and developing techniques for fragile embroidery, which involves embroidering onto materials that are often too weak to withstand embellishment with needle and thread.
Using patience as a conceptual theme and a necessity in the work, Jackson embroiders cheerios, paper towel, flower petals, leaves and more.

For more information on Kate Jackson and her work, please visit katejacksonart.blogspot.com

The title for this show is taken from Speak Now or Forever Hold Your Peace, by David Rackoff








This Could Work - Furniture & Ceramics edition

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While I missed the first half of the exhibition during my recent trip to Pittsburgh, I managed to catch the opening for the Sheridan College - Furniture & Ceramics graduate exhibition at the Ontario Crafts Council.
Amongst the shoulder to shoulder crowd, I caught a glimpse of some really incredible works begging me to return again later for a more in depth look. Here is a link to the website of current graduate work and some more information about the show. It's on for a very brief period of time, so be sure to check it out while you can!




THIS COULD WORK


Sheridan Craft & Design Graduate Exhibition

Glass and Textiles
April 18-23, 2013
Opening Reception – April 18, 2013, 7pm-10pm

Ceramics and Furniture
April 26-May 4, 2013
Opening Reception – April 26, 2013, 7pm-10pm

This spring some of Canadaʼs top emerging craft and design students will be showcasing the results of their final year of work in Sheridanʼs Craft and Design program. This Could Work, hosted by the Ontario Crafts Council, highlights the results of many months of experimentation, practice and examination.
The students, active in four studios including Glass, Textiles, Ceramics and Furniture, will be presenting a broad body of work encompassing functional, sculptural, decorative, and conceptual pieces. These well considered objects often hide the many months of toil and uncertainty that have gone into their production. This Could Work represents many new makers, their hopeful spirit of experimentation, and, a fresh perspective.
Recognized as one of Canadaʼs finest Craft and Design programs, Sheridanʼs Craft and Design program produces graduates who have received national and international accolades for their work. The three-year intensive program provides Sheridan students with a strong foundation in craft-based skills and intimate knowledge of materials and technical processes that set them apart from other design students. This Could Work reflects a deep commitment to process, and offers a brief window into the studentʼs exciting future careers.



Dayna Gedney





Zaid Auzam

Lauren Reed

Lyne Reid

Melanie Hamilton

Malcolm Halley: Mad Rad


Fiberart International 2013

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Fiberart International 2013

@ the Society for Contemporary Craft  - 2100 Smallman St. Pittsburgh, PA.
& Pittsburgh Center for the Arts - 6300 Fifth Avenue. Pittsburgh, PA

April 19th - August 18th, 2013

Opening Reception: April 19th,
followed by a one day symposium with visiting artists, April 20th.

Fiberart International 2013 is the 21st in a series of triennial juried exhibitions sponsored by the Fiberarts Guild of Pittsburgh. Chosen by a distinguished panel of artists and curators, FI2013 will feature works by established and emerging artists and will provide a unique opportunity to see current trends and innovations in this constantly evolving medium.
Since 1997, the exhibition has been held at two prestigious arts organizations, the Pittsburgh Centre for the Arts& the Society for Contemporary Craft and includes works by artists from around the world. This years jurors include Paulina Ortiz, Kai Chan and Joyce J. Scott; and a number of awards will be given on behalf of the Fiberarts Guild of Pittsburgh.
Fiberart International seeks to exhibit the best of contemporary art and invites submissions that reflect a wide range of works related to the fiber medium. This juried exhibition of contemporary works is recognized amongst fiber artists around the world as a benchmark exhibition documenting the trends and innovation in the field. The goal of the show is to include innovative work rooted in traditional fiber materials, structure, processes and history, as well as art that explores unexpected relationships between fiber and other creative disciplines.

For the exhibition, I will be showing a part of my Exploding Lace installation at the Pittsburgh Centre for the Arts, as well as my piece Antiquated Notions #3at the Society for Contemporary Craft.

I was lucky enough to make it down for the opening a couple weeks ago and tried to take as many photos of the work as I could. I had a really lovely time while I was there, and it was so nice to meet the artists and put a face to some familiar works that I have been enjoying for a while now. Also, to my surprise, I received an award on the opening night, for the most Outstanding Use of Traditional Materials!!!
So exciting!! All in all, I absolutely loved Pittsburgh, I thought the show was incredibly well curated and the weekends events were so well organized, it was a real treat to be a part of everything.
Below are some photos I took during the symposium, I hope you enjoy them.

After closing in Pittsburgh, Fiberart International 2013 will be travelling to the San Jose Museum of Quilts & Textiles in San Jose, California as well as the Franklin G. Burroughs ~ Simeon G. Chapin Art Museum in Myrtle Beach, South Carolina.



An ad for our exhibition I found in the Pittsburgh City Paper
Upstairs from the show, I was having fun in a textile installation


Joanne Arnett: Tinned copper wire and cotton, hand woven on a digital jacquard loom.



Sandra Jane Heard - Vintage woven steel tape measures.



Linda Rettich: Kente reversible collar, bead weaving in Ndbele stitch


Patricia Mink: dumpster 5b - inkjet print on cotton damask, loom woven jacquard; layered, free motion quilt embroidered


Anna Goebel: Greetings from the forest - cellulose, moss, handmade paper....


Jim Arendt: Yvette & Ainsley - cut denim


Dorothy McGuinness: Conjoined - Watercolour paper, acrylic paint, waxed linen thread, diagonal twill woven.


April Dauscha: Act of contrition - video, handmade needle-run lace veil.


Samantha Fields: She speaks folly in a thousand holy ways - Recovered Afghan, beads




Josefina Concha: Cuerpo Zurcido VIII - Machine sewing on fabric









































Margaret Scott: wedding day v3 - Nuno felted silk chiffon, merino wool, digital print, hand felted, hand stitched.



Leslie Pearson: That which is empty, may be filled - wire, paper, wax, paint.








































Naoe Okamoto: A deep night - wool, hemp, felting, knotting.








































Janice Lessman-Moss #415. cotton, wool, digital jacquard, power loom woven, handmade felt.



Ainsley Hillard: Flow - photographic images heat-transferred onto viscose weft. Hand woven, hand dyed, monofilament warp.


Marcy Sperry Micromanaged - Seed beads, silk, hand embroidered




Lizz Aston: Exploding Lace View #2


Jolie Bird: #703 - Porcelain sugar bowl, cotton thread.








































Julie Abijanac - talking about her piece Disease Mapping - made from recycled copy paper, thread and glue





detail of Kimber Olson's Community Center, a difficult piece to photograph!



Hiromi Murotani: Scenery - Cotton linen fabric, nylon thread, elastic thread.








































Jiseon Isbara: Repeated - Cotton, woven, screen printed and stitched.







Rachelle Gardner: Unable to divide - Machine embroidery, thread, disolveable fabric of some sort.


Frank Connet - Copper with black patina


Barbara Murak: divide - Knitted constructions



Patricia Mink: Tapia Study - inkjet print, power loom woven jacquard cotton damask, layered and stitched. free motion embroidery.



Carol Milne Free & Easy - knitted wax (stockinette stitch) kiln cast lead crystal (glass) lost wax casting technique



Eszter Bornemisza: Lung of the City - Reprinted newspaper, thread, yarn, dyed, machine sewn



Piece in the background by Gwen Lowery - cotton and rayon thread, painted canvas, machine stitched









































Samantha Fields: Tryptich with 206,720 beads - Recovered afghan, beads, stretcher frames.







Carol Milne Talking about her work: Fire & Brimstone - knitted wax (stockinette stitch) kiln cast lead crystal (glass) lost wax casting technique




My work





Toronto Outdoor Art Exhibition 2013

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Hello all! Well, it has been an extremely long time since I have posted...!!! I'm feeling a little bit embarrassed about the serious lapse in blogging, but I've had an extremely busy past few months trying to finish new work in time for the Toronto Outdoor show as well as a number of other exhibitions.
I have a lot of exciting news about current and upcoming exhibitions to share so I will break each post down by show just to make it a little easier.

This past weekend was my second time taking part in the Toronto Outdoor Art Exhibition (the last was in 2010). It was a great weekend with some serious weather highs and lows. I was really happy to be surrounded by some great neighbours and meet lots of new and old faces. My only regret was that I didn't take the time to walk around and take some pictures of the rest of the show. All in all it was a really great exhibition and I am really pleased to announce that I took home the award for Best in Fibre!!! So without further ramblings.. here are some images from the show!
Hope you enjoy!






















This project has been produced with the support of the city of Toronto through the Toronto Arts Council.

I would also like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario.



New Video + Work in Process

Viridian Artists 24th Annual International Juried Exhibition, Chelsea, NYC

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Hello All, I just wanted to share a quick post with you about an exhibition that I am really excited to be a part of! 
In the days leading up to the Toronto Outdoor Art Exhibition, I managed to take a break from my insane work schedule to hop on a plane to New York and install a piece in the 24th International Juried Exhibition at Viridian Artists Contemporary Gallery in Chelsea, NYC! 
This is a very exciting exhibition for me, being my first time showing in New York City not to mention that it was juried by Elisabeth Sussman, the curator of the Whitney Museum and the Whitney Biennial 2012!!! 
Unfortunately in all of my last minute planning it looks like I won't be returning for the opening reception tomorrow night. 
The exhibition runs through to the 20th, if you are in the area please stop by and have a glass of wine for me! I hope to see more of the city soon! 




























Viridian Artists’ 24th International Juried Exhibition
Juried by Elisabeth Sussman, Curator, Whitney Museum, New York
July 2 – July 20, 2013
Opening reception Thursday, July 18th, 6:00 – 8:00 pm.
Chelsea: Viridian Artists Inc. is pleased to present their 24th International Juried Exhibition. Curated by Elisabeth Sussman, Curator, Whitney Museum, New York, the exhibition opens  July 2nd and continues through July 20th, 2013. In celebration, a special reception will be held on Thursday, July 18th 6:00 – 8:00 pm. At that time, meet the curator and many of the artists.
Viridian’s International Juried Exhibitions are a series of exhibitions that serve to encompass a diverse selection of outstanding art from around the world that might not otherwise be seen in New York City. This marks the 24th year that the gallery has offered artists the opportunity to have a major museum curator see a selection of their work.
As the recipient of the sixteenth CCS Bard Award for Curatorial Excellence, Elisabeth Sussman was recently recognized for her dynamic curatorial vision and her dedication to the field. She is Curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art. Most recently, along with co-curator Jay Sanders, she curated the 2012 Whitney Biennial.
During her time curating this exhibition at Viridian, she spent many long hours viewing over 1000 images sent from around the world.  In her curatorial statement, Sussman states: “New York City, considers itself, rightly or wrongly, the center of the art world. In the week when the jurying of this exhibition took place, another art fair, Frieze, was in town, the contemporary auctions at Sotheby’s and Christie’s were bringing in tons of money and mega galleries in Chelsea were featuring gigantic shows of globally branded artists. Jurying an exhibition like Viridian’s at that time was an essential activity, a relief from the horrifying realization that, at least in New York, little separates the art world from global financial markets and the entertainment industry.”
In addition to the exhibition juried by Sussman, Viridian’s director, Vernita Nemec, also views the hundreds of images submitted and curates a selection that she feels have merit for a power point presentation viewable for the duration of the exhibition. This “Director’s Choice” selection is another opportunity that Viridian presents as part of its mission is to give exposure to outstanding under-known artists.
Group Exhibition: Juried by Elisabeth Sussman

First Prize: Elizabeth Castonguay    Second Prize:   John Hansen   Third Prize:  Malika Cosme

Honorable Mentions: Alexander Churchill, Henry Coupe, Barry Goldberg
* Lizz Aston * Ed Herman * Samaray Akarvardar * Jane Alexander-Perry * Ransom Ashley * Bob Augstell * Kathleen Benton * S Brian Berkun * Elizabeth Castonguay * Alexander Churchill,* Malika Cosme * Henry Coupe * Barry Goldberg * John Hansen * Edith Hillinger * Aram Han * Timothy Macy * Dana McElroy * Pilar Olaverri * Zoran Poposki * Leonard Rosenfeld * Kimberly Rowe * Seena Sussman * Tore Terrasi * Rebecca Treadwell *Susan  Evans Trees * Catherine Vanaria * Andrew Williams *
Director’s Choice curated by Vernita Nemec
Emma Buck * Matty Davis * Lauren Dishinger * Nancy Robb Dunst * Rachel Edwards * Kristin Enck * Jim Granito * Joshua Greenberg * Aimee Hertog * Marla Hoffman * Daniela Izaguirre * Jerry Johnson * Lynne Johnson * Srividya Kannan Ramachandran * Joanna Kidd * Mark Kolessar * Neil Sedwin * Marcia Lloyd * Maxine Loustalot * DeeDee Maguire * Nicole Pietranton * Robin Becker * Christopher Ruane * Rachel Sard * Leslie Sheryll * Suprina. *



This project has been produced with the support of the city of Toronto through the Toronto Arts Council.

I would also like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario.




Freshly Printed Studio - Grand Opening Today!

playing HOUSE making HOME

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Playing HOUSE making HOME
Aurora Cultural Centre - Blue Gallery
Curated by Stephanie Nicolo

June 26th - August 24th, 2013
Opening reception: Saturday, July 13th 1-4pm

playing HOUSE making HOME brings together three Toronto-based artists, D'Andrea Bowie, Lizz Aston and Wing Yee Tong. Together their work presents a refreshing perspective and narrative about domestic traditions within contemporary art practice. The works showcased in the exhibition were physically challenging to produce and will awe audiences in their detail. 
The show is a reflective space that whispers notions of the home and questions the definition of craft and the ideal home-maker. Through the use of embroidery, quilt-making, sculpture and installation, playing HOUSE making HOME is intended to intrigue audiences, bridge associations and ask the question what makes home a HOME?








































Junction Design Crawl 2013!

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I am really excited to be starting my summer vacation today, but before I head off on a bus for Montreal to check out some art and wander around the city, I thought I would let you know about the next show I have coming up! 
I am excited to announce that I will once again be participating in
the Junction Design Crawl, with an installation in the store front of Gerhard, 2949 Dundas St. West. I am looking forward to showing alongside the talented Alanna Cavanagh and would like to thank both Telephone Booth Gallery and Gerhard for making this project possible! 
If you would like to see some images I took from last year's design crawl, feel free to check it out here. Looking forward to seeing everybody there!


Junction Design Crawl 2013

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Hi everybody!

Now that I am finally finished my first semester at school and taking a break for the holidays, I thought I would take the time to do some much needed catching up on my blog and post some things that have been on the back burner since the summer!!! Once I return to school in the new year, I'm hoping to take the time to keep up with my blog posting regularly - even if it's just an inspirational photo here and there....!
This time of year, instead of thinking about the holidays I usually have my head in the clouds thinking about Design Week, at the end of January. I am going to be participating in two exhibitions as a part of the Toronto Design Offsite Festival, so be on the look out for that AND my coverage of as many exhibitions as I can make it out to for design week! In the meantime, here are some images from the Junction Design Crawl this past August, enjoy!












this looks like it might be the source of rolling blackouts throughout the Junction Night Flea, @ the Junction Design Crawl






Mason Studio, Installation - Rise of the Mid @ Articulations




Mjolk @ Junction Design Crawl






Trying on specs @ Opticianado

My installation 'Studies in Interlacement, xylem & phloem' @ Gerhard for the Junction Design Crawl


Prints by Alanna Cavanagh




Peter Feeney Bespoke Made to Measure Footwear


































Last Chance to see 'Studies in Interlacement...' @ Gerhard!

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Just a quick note! This is your last chance to check out my installation Studies in Interlacement, xylem & phloem, at Gerhard Supply in the Junction. If you are in the area over the weekend, you can find it @ 2949 Dundas St. West. All of the works in the shop are available for sale, if you are still looking for something special to give a certain someone. I will be un-installing sometime on monday, so feel free to pop by, or drop me a line through my website.



























Opening: Best of TOAE Award Winners Exhibition @ FCP Gallery

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Hello all, Design week is almost here, so there will be lots of posts coming soon! I am also excited to announce that I have work in two exhibitions opening this week! The first exhibition is the 52nd annual Best of Toronto Outdoor Art, Award Winners exhibition at First Canadian Place Gallery. The exhibition is included in the official itinerary for the Toronto Design Offsite Festival, which kicks off on monday! Here is some more info and a postcard for the show:

Best of TOAE @ First Canadian Place Gallery
Jan. 20th - Feb. 28th, 2014
Opening reception - Wed. January 22nd, 6-8pm
2013 Award Winners include Lizz Aston (Best of Fibre), Julie Desmarais (Best of Painting), Zimra Beiner (Best of Exhibition), Amanda Arcuri (Scotiabank People's Choice), Uros Jelic (TOAE Board Award of Excellence), and many more. The Toronto Outdoor Art Exhibition/TOAE is an annual juried showcase taking place in Nathan Phillips Square each July. TOAE is a non-profit organization administered by a volunteer Board of Directors. Up to 400 artists participate, in 14 categories, offering hand-made originals to 100,000 visitors attending the exhibition every year. This summer, TOAE GOes into its 53rd year! Learn more about the exhibition here.

Opening: Studious @ Harbourfront Centre

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Design week is finally here and my feet are itching to finally hit the pavement and check out some shows! But before I get swept away in my love of all things craft & design, I would like to invite you to the second exhibition I am participating in as a part of the Toronto Design Offsite Festival. This Friday marks the opening of Studious as well as five other exhibitions at Harbourfront centre in celebration of their 40th anniversary. Along with the exhibition there will also be an Innovators & Ideas lecture series on saturday including talks by current artists-in-residence as well as the design duo Normal Goods. Here is some more information and a postcard for the exhibition:



STUDIOUS

Lizz Aston, Marianne Burlew, Jae Hyun George Cho, Jay Joo, K. Claire MacDonald, Amanda McCavour, Rachael Wong, Patrycja Zwierzynska

Curated by Melanie Egan and Patrick Macaulay

To describe someone as studious brings to mind qualities of diligence, attentiveness and quiet perseverance. This undoubtedly describes the artists in the exhibition but also playfully draws attention to time spent working in various studios and how that environment influences their work and process.
These artists are steeped in knowledge gained from exhaustive material study and imbued with the confidence and flexibility to subvert and abstract what they have learned. Guided, but not blindly lead by rich histories and time honoured techniques, they create fresh and insightful works.
For forty years this in-depth exploration of craft and design has been a core principle of Harbourfront Centre’s Craft & Design studios. This exhibition celebrates the considerable influence it has had on the careers of emerging artists, designers and craftspeople.
– Melanie Egan, Head, Craft & Design, and Patrick Macaulay, Director, Visual Arts, Harbourfront Centre




This exhibition is a part of the Toronto Design Offsite Festival:
Toronto Design Offsite Festival

Studious: Teaser Video

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Here is a fun teaser video my partner and I made for my work in the upcoming exhibition Studious @ Harbourfront Centre. After many months of work, I am really looking forward to the install and finally seeing it up! 
If you like what you see please check out the video page on my website for more!



STRING THEORY///Pattern Pattern @ Graven Feather

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Last Saturday I stopped by Graven Feather Studio to attend the opening of Pattern Pattern, by String Theory as a part of the Toronto Design Offsite Festival. If you are not familiar with their work, Meghan and Lysanne collaborate between Toronto and Montreal to make gorgeous knitted and woven textiles that reference natural and man made patterns and systems. Here is some more info on the exhibition, as well as some images from the opening. I really regret that I brought my point in shoot to the show, instead of the dslr, as the images could have been soo much better, but I will be sure to bring it next time! Also, if you happen to be around Queen & Shaw over the course of the weekend, take a moment to stop in, see the show and check out Graven Feather's amazing print studio! They will be hosting a series of events and programming over the course of design week, so check it out!

STRING THEORY / Pattern Pattern
January 18 - 26, 2014
Opening reception: Saturday, January 18, 6-9pm
STRING THEORY is a partnership between textile designers Lysanne Latulippe and Meghan Price. The duo’s scarves and shawls are made from fabrics designed and produced in low runs with the help North American mills. By fusing digital design and production with the expertise only handwork can bring, STRING THEORY produces contemporary textiles that meet the traditional standards of their craft.
As constructed textile designers Lysanne and Meghan work with the math and physics of fibres, yarns, knitting and weaving to develop structure, pattern and texture. The name STRING THEORY is borrowed from a theory of physics that says the world is made of vibrating strings.
With ‘patternpattern’, STRING THEORY revel in and reveal their methods for designing knit and woven textiles. Here, process becomes pattern and a collection of scarves is presented within walls that describe their making.


Christine Kim | Accumulation @ Articulations

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Yesterday turned out to be quite the hectic day! I got most of my install done for the exhibition at Harbourfront on friday before heading out to the opening of my work in the Best of TOAE Award Winners Exhibition at First Canadian Place. Since I seem to be forsaking all of my school work lately in the name of art & design happenings, I decided I may as well head to the Junction afterwards to check out some more openings, including the Toronto Design Offsite Opening party at Smash.
It ended up being a bitterly cold evening outside but I was glad to see Dundas street hopping with eager design-festival goers. Between all of the commotion, I managed to pop in and photograph the lovely work of Christine Kim at Articulations. I was first introduced to her work was at last year's Artist Project, so it was nice to finally meet her! She also mentioned to me that she is taking over a room for the Gladstone's annual Come Up To My Room event, so be sure to check out her work there as well!


Opening: Christine Kim - Accumulation
Jan. 20- Feb 16th, 2013

Opening Reception - Wed. Jan 22nd 6-9pm
Artist Talk: Sat. Feb 15th, 1pm

Accumulation emerged out of Kim’s continued exploration and experimentation with cutting, bending, and folding paper. Using matte white paper, Kim has constructed light geometrical structures assembled together like cumulus clouds. She explores the relationship between light and shadow through intricately cut patterns and folds.  This is an investigation of what a line can do when it is folded, cut, curved, and gathered.
Christine Kim works primarily in illustration, cut paper and installation. She has exhibited in Toronto, Montreal, and presented Paper Orbs, an interactive installation for Nuit Blanche 2013, and collaborated with Vanathy Ganesharajah for Confessional, a paper installation for CUTMR 2014.











LeuWebb Projects: Just a Reflection

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LeuWebb Projects - Just a Reflection @ Huntclub
Monday Jan. 20th - Sun, Jan 26th, 2014

“Each thing (the glass surface of mirror, let us say) was infinite things, because I could clearly see it from every point in the cosmos. I saw the populous sea, saw dawn and dusk, saw the multitudes of the Americas, saw a silvery spider-web at the center of a black pyramid, saw a broken labyrinth (it was London), saw endless eyes, all very close, studying themselves in me, as though in a mirror, saw all the mirrors on the planet (and none of them reflecting me)…”
- from ‘The Aleph’, Jorge Luis Borges
Between the public outer realm and the private inner space, there exists a boundary.  ‘Just a Reflection’ occupies the in-between, expanding this liminal threshold.  Playing with existing window facades, a panoply of convex and concave mirrors, and an array of responsive lighting, the threshold becomes its own space of reflection, layering itself upon the outer and inner spaces beyond. 

This project is part of the Toronto Design Offsite Festival









IDS 2014!

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